The Introduction: Bliss & Mischief

I’ve been eyeing the new white t-shirt from Bliss & Mischief and realized I had yet to share the brand. Hillary Justin launched Bliss & Mischief with re-designed and embroidered denim and military jackets (I learned of her work through my friends at Jean Stories!) and has recently added a collection of vintage-inspired t-shirts… based on the fit of a favorite vintage t-shirt, softened and distressed by stone washing (the same process used to wash your jeans!), these look pretty perfect to me. I dream of the day I could pull off some off this denim… but I know I would wear these tees all day every day.

FROM B&M
“I started by acting very instinctually,” explains BAM designer and founder Hillary Justin, ”thinking about the colors of the desert and this epic, ‘I-don’t-know-how-old or how-tall’ cactus in my backyard.”
Inspired by this epic cactus, as well as the sun bled shades of Joshua Tree and the vivid embroidered details of classic Western kitsch, Justin began to source vintage cloth while re-designing and revamping classic pieces. Bliss and Mischief’s offering now range from original custom and handmade chain-stitch designs, executed on vintage stock, to vintage fabrics reborn as fresh, modern designs. In addition to these one-of-a-kind pieces, Bliss And Mischief’s collection also includes a select curation of vintage classics – military jumpsuits, antique Japanese kimonos, perfectly soft, solid vintage t-shirts, and more.

Simultaneously contemporary and nostalgic, Bliss and Mischief is clothing which embraces all the beautiful imperfections that come with fabric lived in…and loved.

Some of my favorites…
1. The Conjure Flower Denim | 2. Destroyed Sunday Tee, Vintage White | 3. East at Dawn Jacket, Peach | 4. Vintage Reworked Flight Suit

more American made white t-shirts…

Podcast, Nicole Najafi, Industry Standard Denim

Have you ever wondered about the people who made your favorite mug, shirt or chair? In Why Do We Have Things?, Rita Mehta of The American Edit and Erin Husted of Hackwith Design House interview the independent designers, artists, small business owners and creatives behind our favorite things.

Today’s guest is Nicole Najafi, founder of Industry Standard, a direct to consumer denim brand founded by Nicole Najafi to deliver premium quality (the industry standard…) denim without a higher price point. Industry Standard jeans are designed in New York and made in the denim district of LA, using Cone Denim from North Carolina. Rita & Nicole talk about the process of launching Industry Standard when coming from a digital marketing background, the conscientious compromises we make every day, and about focusing on real, thoughtful products – and relationships – while building your business.

NOTES FROM THE SHOW:
Industry Standard
Industry Standard Factory Tour on TAE
Fivestory New York, IS’s first wholesale partner
Fugitive Denim: A Moving Story of People and Pants in the Borderless World of Global Trade
Giejo Swim
Industry Standard’s brilliant size Calculator Tool
Bad Feminist
The Life Changing Magic of Tidying… (again!)
How Empowerment became something for women to buy
The 4% : Hollywood’s Gender Problem
our favorite Instagram account these days… Hillary Street Style

THANK YOU TO OUR SPONSORS:
Nicely Noted
Wilson & Willy’s

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Celebrating Earth Day with Eileen Fisher

I’ve always known about Eileen Fisher but it wasn’t until a few years ago that I realized that the brand was one I wanted to learn more about. Similar to when you learn a new word and then start to see and hear it everywhere, Eileen Fisher became something I came across frequently and wanted to seek out on my own…

First, a friend with incomparable taste and exceedingly high expectation mentioned she loved the brand’s sweaters; next, I read this incredible New Yorker profile on Eileen Fisher, with mentions to the brand’s responsible and sustainable practices right around the time I was starting to really rethink my career and how I shopped; and last, Celine and The Row came into my purview, showing timeless, simple, elegant looks – that I admired but could never dream to afford… but that seemed to share a similar aesthetic and ethos with much of Eileen Fisher’s collection. My infatuation was validated when The Cut told me it was cool to love Eileen Fisher, but I’d already become fan.

Eileen Fisher Earth Day TAE 2

Style will always be my primary factor in making a purchase decision or recommendation but what impresses me most about Eileen Fisher is the brand’s commitment to showing their customers what is behind the label and to improving the industry for everyone involved (which, when you think about it, is everyone – or at least those of us who wear clothes!).

“We don’t want sustainability to be our edge. We want it to be universal.” —Eileen

VISION2020
Our vision is for an industry where human rights and sustainability are not the effect of a particular initiative, but the cause of a business well run. Where social and environmental injustices are not unfortunate outcomes, but reasons to do things differently.

On Behind the Label, you can learn more about Eileen Fisher’s commitment to Made in the USA, organic & sustainable fibers, safe dying practices, fair trade practices, human rights and their supply chain, and even how to wash and repair your items correctly so that they last for a long time! It’s comprehensive, and thoughtful, and so important.

This year, Eileen Fisher’s Spring Collection is 80% sustainable – a new record and simply an amazing feat. 20% of the collection is made in the USA as compared to 3% of most other brands. And all of it is simple, well-made, and beautiful.
Eileen Fisher Earth Day Living Local
To celebrate the collection and Earth Day, Eileen Fisher is hosting a giveaway of a $1000 shopping spree. Take this 5 question quiz (it’s fun and quick!) and let me know if your style leans towards Natural Beauty, Enlightened Luxe, or Living Local. (you won’t be surprised to find that mine was Living Local!)… even if you don’t win the gift card, you’re likely to find yourself with a little bonus takeaway just for entering!

DISCLOSURE: This is a sponsored post – I received compensation from Eileen Fisher in order to promote the Spring 2016 collection for Earth Day. I believe in the collection and that the products I’ve chosen to share align with the goals of The American Edit. Thank you for supporting the partners that support TAE. If you have any questions, please do not hesitate to EMAIL ME.

Podcast, Zinzi Edmundson, Knit Wit Magazine

Have you ever wondered about the people who made your favorite mug, shirt or chair? In Why Do We Have Things?, Rita Mehta of The American Edit and Erin Husted of Hackwith Design House interview the independent designers, artists, small business owners and creatives behind our favorite things.

Today’s guest is Zinzi Edmundson, the editor of Knit Wit Magazine, a print magazine that celebrates the dynamic world of contemporary fiber arts and craft. Rita & Zinzi talk about the process of starting a print magazine, the current crafting movement, and the feminism in the textile arts world. Issue 4 comes out May 1!

Folk Fibers Feature_Shot by Josh Goleman
Maura Ambrose of Folk Fibers in Issue 4, photograph by Josh Goleman

NOTES FROM THE SHOW:
Knit Wit Magazine
Remedy Quarterly, a kickstarter Zinzi backed
The Man Repeller Round Table with Mary Norris, New Yorker Comma Queen and query proofreader
Following blog, a look at how people live and express themselves online and in social media
Alden Amos, the helicopter mechanic who crafted spinning wheels
Janelle Pietrzak’s collaborations with Anthropologie
Meredith Metcalf’s ceramics
Knitwit on the Woolful Podcast
Jungmaven hemp t-shirts
String, Felt, Thread: The Hierarchy of Art & Craft in American Art

THANK YOU TO OUR AMAZING SPONSORS:
HACKWITH DESIGN HOUSE
APPOINTED
Interested in sponsoring? Please contact podcast@theamericanedit.com.

Thank you so much for listening! We’d also really appreciate it if you would subscribe and leave us a review in iTunes or share #whydowewehavethings with your friends or on Twitter, Facebook, or Instagram! Here’s why this matters: the more reviews and subscriptions we get, the more likely people are to find the podcast, and then the more likely we are to be able to get rad interviewees, improve our sound, etc. Thank you

Images via Knit Wit Magazine